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Greatest Hits: The Tate Britain’s Chris Ofili Retrospective as a Mixtape

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  As an article over at Arts21 notes, “The new Chris Ofili mid-career retrospective at Tate Britain feels like walking through a mixtape of semi-obscure black American music from the last 50 years, created by a middle-aged record shop owner with an encyclopedic knowledge of musical history and a body odor problem.” Actually, it’s not just the backward glance that ... Read More »

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