Last night we saw an incredible, interesting, and at times, infuriating performance, K.85/K.62 by Dominique Gonzalez-Foerster and Ari Benjamin Meyers, part of this year’s Performa series. We’re sworn to secrecy about what happened, because the performance “depends on mystery” as the program puts it, but we can say it’s a very unique take on two films — Martin Scorcese’s ‘After Hours‘ and Orson Welles’ film interpretation of Franz Kafka’s ‘The Trial‘. It also includes some nods to film locations, which you know we’re seriously into here at Museyon. The performance runs for one more night. If you’re in New York — see it!
Tagged with: After Hours Ari Benjamin Meyers Dominique Gonzalez-Foerster experimental music Franz Kafka K.85/K.62 Martin Scorcese music New York Orson Welles Performa performance art The Trial