George Stolz

Goya and Madrid


Shamik Bag

India


Mel Campbell

Australia


Nick Frisch

Beijing, China


James Hendicott

Dublin, Ireland


Eve Hyman

Buenos Aires, Argentina


Jessica Hundley

Los Angeles, California, USA


Alexandra Ivanoff

Istanbul, Turkey


Peter Margasak

Chicago, Illinois, USA


Miles Marshall Lewis

Paris, France


Siobhan O'Leary

Berlin, Germany


Alina Simone

Russia


Meakin Armstrong

Southern USA


Lea Feinstein

Munch and Olso


Kristin Hohenadel

Van Gogh and Arles


Barbie Latza Nadeau

Caravaggio and Rome


Sandra Smallenburg

Vermeer and Delft


Mikael Awake

Ethiopia


Gemma Blackwood

Australia/New Zealand


Scarlet Cheng

Hong Kong


Eija Margit Niskanen

Japan


Mikael Awake

Iran


Elise Jongeun Yoon

Korea


Lee Middleton

Africa


Jose Lustre Jr.

Thailand/Morocco/ Puerto Rico


Andrea Chignoli

Argentina


Jason Anderson

Canada


Alvaro Ceppi

Chile


Nisha Gopalan

New York


Enrique Ramirez

Mexico City/Scandinavia


Liz Brown

San Francisco/Italy


Julien Sévéon

France


Tom Beer

UK


Laurel Maury

Russia


Pelin Turgut

Turkey


Shari Kizirian

Spain


Hannah Tucker

Germany


Museyon: Film + Travel
Asia, Oceania, Africa
October 21st, 2009

Checking Out ‘Chungking Express’

Lan Kwai Fong, Hong Kong

Lan Kwai Fong, Hong Kong


Another day, another unexpectedly awesome combination of our twin passions — Music and Film. This time it comes to us from the funny folks at The Onion AV Club. In the fifth installment of his Song and Vision series writer Steven Hyden explores the relationship between Wong Kar-wai’s ‘Chungking Express‘ and The Mamas & The Papas song ‘California Dreamin’, a favorite of Faye Wong’s character in the film. Though, as the writer notes, the song takes on a little different meaning in light of Mackenzie Phillips’s recent “consensual incest” revelation, it’s still a great introduction to the film.
 

 
A while back, we visited the Chungking Mansion where the first part of the film was shot. Location plays an important part in the film, as the director originally intended to shoot two similar stories, one on Hong Kong Island and one in Kowloon, one at night and one during the day. In the film, the run-down, drug-infested Chungking Mansion plays a symbol of the city itself, a multicultural hub in a multicultural city, located in Kowloon’s Tsim Sha Tsui neighborhood, where the director grew up.
 
For the film’s second location, Wong chose the fast-food Indian restaurant Midnight Express, located at the corner of the popular nightclub district Lan Kwai Fong in the Central district of Hong Kong island. Formerly, the square was the homebase for the marriage arrangers, but since the ’80s its been the place where foreign yuppies go to get wasted. In the film, Tony Leung stops by California Restaurant (G/F California Tower, 30-32 D’Aguilar Street, Hong Kong; +852 2521 1345), a restaurant that spurred the neighborhood’s renaissance when it opened in 1983.
 
photo: Roger Price/Flickr

Category : Asia, Oceania, Africa, Blog, Hong Kong, Museyon: Film + Travel